Sometimes it “takes a village” and other times it “takes a
photograph”. When we hear about an injustice, we may feel some concern. When we
see it right before our eyes, it can be impossible to ignore. Few people will
forget the image of the three-year-old Syrian boy whose body was washed upon
the shores of Europe. Knowing how powerful an image can be, the Museum of
Contemporary Photography displays photography exhibits depicting social conditions.
The Museum of Contemporary Photography (MOCP) www.mocp.org, ,a part of
Columbia College, was opened in 1976. It is located at 600 S. Michigan Avenue
and is free to the public. It is open Monday through Saturday from 10:00-5:00
and on Sundays from 12:00-5:00. This museum is small and it doesn’t take long
to see one of their exhibits. I recommend a visit when you’re in the area. The
images in its current exhibit are quite poignant.
I was fortunate to pay a visit to the Museum of Contemporary
Photography in time to see their current exhibit Burnt Generation, Contemporary Iranian Photography. It is there
through this weekend- through July 10th- and definitely worth
seeing. This exhibit of contemporary Iranian photographers is powerful.
Although we have seen many Iranian movies that eloquently depicted the challenges
in Iranian society, we had not seen Iranian photographs. Nevertheless, the
movies had piqued my interest and I was interested to see this exhibit.
Many of the pictures are in black and white adding to the
severity of the situation the photographer is showing us. Most of the pictures
that aren’t in black and white are in very subdued tones showing a whole
society caught in a very somber mood. The photographs are all taken by
contemporary Iranian photographers of people in the generation-those born
between 1963-1980 known as the Burnt Generation. They had experienced the
Iranian Revolution of 1979 and the Iran-Iraq War and all the consequences
thereafter. The social and political unrest that they endured shows on
the people’s faces.
I especially admired the photos taken by Newsha Tavakolian.
She took pictures of people in such private moments that I almost felt like I
should look away.
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This other picture by Gohar Dashti is of a group but it had
the same effect on me. Could we be that different from one another? I think
not.
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